ALBERTUS DISPLAY TYPEFACE SERIES
ALBERTUS DISPLAY TYPEFACE TV

The early Twentieth Century used to be a golden age for cinema, and for the artists who lettered the long-lasting title sequences. Palazzo font involves multilingual characters with numbers, punctuations, and alternate characters. Didot through Hendrick Rolandez is a fashionable font best for logos, branding, and trend magazines. In the event, you’re looking for a serif font with a specific city design that is the perfect font for you. Artomoro is perfectly fitted to emblems, fees, posters, and more. It is also the typeface used on the City of London and London Borough of Lambeth street signage.Albertus is a glyphic serif show typeface designed by way of Berthold Wolpe in the period 1932 to 1940 for the British department of the printing company Monotype.Īrtomoro is an average handmade font.

ALBERTUS DISPLAY TYPEFACE TV

The type is still seen regularly seen on the credits of TV programmes, advertising, and book jackets. Monotype Imaging launched an updated digital version called Albertus Nova in 2017. There is no italic available.Īlbertus has been very successful and continues to be widely admired and used by designers today. The figures are the same height as the capitals.

The lowercase ascenders and descenders are short. The capital M has middle strokes that descend only half way capital U has the lowercase design the lowercase e has a large counter and the g has a large bowl. There are several conspicuous letterforms worth mentioning. Some people describe the letters as having thickened terminals rather than serifs and others consider the strokes to have serifs reduced to the bare minimum. It has a strong distinctive appearance inspired by the chisel rather than the pen.

ALBERTUS DISPLAY TYPEFACE SERIES

This series was cut in nine display sizes from 14 to 72 point between 19.Īlbertus Series 481 is a display roman, not intended for large amounts of continuous text. The set of matrices pictured is Albertus Series 481 in 72pt. The Light Series 534 and Bold Titling Series 538 versions first became available in 1940. The first size of roman upper and lowercase Series 481 was cut in 1938.

The first size of Titling Series 324, which comprise of capital letters only, was cut in metal in 1936. The Albertus typeface family comprises of four series. He was awarded Royal Designer for Industry in 1959 and an honorary doctorate by the Royal College of Art in 1968. He joined the publishing house Faber & Faber in 1941 and designed at least 1500 jackets for books with vibrant colours and lively lettering. Wolpe, originally from Germany, was a renowned calligrapher, designer of typefaces and of books, bibliophile and teacher. In 1934 The Monotype Corporation commissioned Berthold Wolpe (1905–1989) to design a printing type of capital letters based on the lettering he had developed for bronze inscriptions. Type that was 14pt and larger was known as display size because of its suitability for setting as headings and titles as opposed to continuous text. Type came in points (pt) and continental standard Didot (D) sizes from as small as 4 ¼ pt and as large as 72pt or 72D. Each Monotype typeface was allocated a series number and a name. Monotype built up a remarkable collection of typefaces for hot-metal technology, starting in 1900 and adding to it until the early 1980s. From a set of matrices the owner of a Monotype machine could cast as much fresh type as they needed. Part of Monotype Loan Library collection.Īs well as manufacturing machines that composed and cast type, The Monotype Corporation manufactured matrices for hundreds of different designs of typefaces in metal. 2463, manufactured by Monotype Corporation.

Display (1.0') size matrices for Albertus (Typeface Series number: 481), 72.

Albertus display typeface